Monthly Archives :

July 2016

Grab a Poet

150 150 Ventnor Fringe

A Little caravan in a wooded glade – who should appear out of this most whimsical of settings but Ventnor’s own Doris Doolally. 

Hello Doris, how the devil are you?

Hello Fringe, I am very well indeed thank you. 

What are you doing here at the fringe?

I’m just about to run a poetry workshop in the pop up caravan in the park at the fringe where we will hopefully create some comedy poems.

What’s next for Doris?

I’ve been very busy in the run up to the Elegy Emporium at Boomtown Fair. We’ve been busy creating obituaries for our crew, collecting taxidermy and doing photo shoots among a number of other things. After Boomtown, I’ll be performing at Reading Between the Lines Birthday Party, and Cowes Speaks V-Dub takeover. 

What’s this Elegy Emporium?

It’s a combination of visual and performance art. We will be doing live performance or rhyming couplet obituaries, measuring people up and face painting them after they’ve had their fortunes told.  It’s all very exciting. 

Exciting indeed! It’s been a pleasure Doris. 

By Matt Hitt

Evan’s Round-Up

150 150 Ventnor Fringe

This week we have been treated with six performances by Scena Mundi, giving us Shakespeare’s Richard II and Marlowe’s Edward II, parked together under the title ‘Seize the Crown’

In Richard II, performed in period dress, we were shown the weak and capricious Richard whose arrogance and greed seals his own fate, isolating himself and eventually being deposed by Bolingbroke, the clever and just son of the late wise John of Gaunt.
Though some of the audience were a wee bit lost during the first half, everyone was gripped during the second half, giving the actors a well deserved applause for their faultless performance.

In Edward II, by contrast, was set in the 1980s. Upon hearing this I must admit I wasn’t quite sure what to expect, but any doubt quickly fled as soon as it started. The performance had drama from the out set, telling us the sorrowful demise of King Edward at the hands of his wife and her lover, the power hungry villain Mortimer. As with Richard II, the nobility and Edward are at odds, resulting in drama and death. All this in contemporary punk-like dress and to 80s rock; and unlikely but brilliant match which suited this play perfectly, once again receiving hearty applause.

We cannot thank Scena Mundi enough for the joy they have given us with their performances this week, as well as their appearance in our carnival procession and I am personally thankful to them for introducing me to the world of theatre. 

Palo Duro

150 150 Ventnor Fringe

Via the means of Facebook video call, I was joined by Kiya Heartwood, Anna Harris and Jana Pochop (Tejas) for a preview of their upcoming show at this year’s Ventnor Fringe. Check out Kiya Heartwood and Tejas at St. Catherine’s Church, 7pm on Saturday. 

It’s great to have you back again. This is your second performance at the Ventnor Fringe and this year you’ve brought some company, what have you both got in store for us this year? We’re going to rock your socks o ! I have a new CD and we’re playing songs from that for the most part. It’s called Palo Duro. 

Last year at the Fringe you performed solo, is it nice to be back with some friends? Yes. Last year I played by myself and did more of my kind of ‘story songs’. This year we’re playing mostly songs from the CD and a little bit more bridge rock. 

What is Palo Duro about? What inspired your recent album?
It’s a very Texas record. The word Tejas means ‘friend’ in one of the native languages. That’s actually where the word ‘Texas’ comes from. So there’s a little Spanish in uence. There’s a story about The Last Battle of the Three Comanches and some love songs and some rowdy stu .

Which song are you most looking forward to playing from the new album?
I play ddle and background vocals and I must say one of my favourite ones to play is probably the title track, Palo Duro. Just because the story itself is very haunting and I nd it very easy to emote to it. It’s very tragic and sad and it’s a thoroughly well written song and record, I really love playing it. 

Your performance last year consisted of storytelling and experiences from travelling the country. What is your weirdest/best experience from the road? I got to play for a bunch of high school kids in Utah and they were locked up, they were all kids that had su ered some kind of trauma. Their parents got involved in drugs -or they were involved in drugs- and I got to do a concert for them which was probably the most moving thing that has happened in the last year.

You have been featured on a number of albums, including sessions with Russ Kunkel and Toto. Do you still stay in touch with either of them? What was it like working with Toto? At the time I was pretty shy, they were very big stars so I was like ‘Hello’ and they’d say ‘What do you want me to play on your record?’ and I’m like ‘uhhh….’ So I wasn’t necessarily the most communicative person at that time. But you know they were all cool and some were cooler than others. Our bass player at the time was in Roman Holiday and he now plays with Toto so that’s my connection. A couple of them are no longer with us.

Can we expect to see any more collaboration in the future?
Well you never know!

Were there any signi cant artists/people in your life who inspired you to apprehend a folk music career?
I really am inspired by Richard Thompson, I really like his work. I like Steve Earl’s work, Mary Chapin Carpenter and Martin Carthy.