Who are you and what do you do?
My name is Steven Sales. I’m 33 ½. I was born on the Island, but I currently live and work in Bristol. I hate using the term artist, but its essentially what I do – I make objects and things about the physical and cultural identity of places. I like dancing to disco and cooking; and especially cooking to disco.
Describe your connection to Ventnor and the Fringe.
The first of my Island family moved to Ventnor in 1900. My great-great uncle’s name is inscribed on the War memorial near Ventnor Park, so Ventnor has always felt like my ancestral home. It’s been my cultural home since being a teenager, frequenting the beaches, footpaths and pubs. I’ve had many friends perform in the Fringe and have seen first-hand what a great experience it can be. I didn’t want to miss out.
Tell us about what you are bringing to the Fringe.
I’m presenting a sound installation at the Errant Stage, which explores the uncertain future of the native Island dialect. I was fifteen when I first realised the island had its own unique set of words and over the past 18 years it is clear that less people are using these words in everyday life. Some Island words describe actions which don’t exist in the English language. Kurn for example, refers to the turning of a flower into a fruit. I hope the installation excites people about this wonderful aspect of our Island heritage.
One previous Fringe memory you hold dear.
Watching Stealing Sheep last year. The balmy weather and the venue helped to enhance the atmosphere that evening. I remember a moment of just looking around, being surrounded by mates and realising I didn’t want to be anywhere else.
This year you are most excited about…
It goes without saying that I am really excited about presenting my own project, but I’m also looking forward to seeing Childhood, Alan Bennett’s Talking Heads performance piece at Trinity Church and Puppet Bingo.